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Ngaio Marsh |
Dame Ngaio Marsh DBE (April 23, 1895–February 18, 1982), born Edith Ngaio Marsh was a crime writer and theatre director from New Zealand. There is some uncertainty over her birth date as her father neglected to register her birth until 1900.
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Ngaio (pronounced /ˈnaɪoʊ/) Marsh was educated at St Margaret's College in Christchurch, New Zealand, where she was a foundation pupil. She studied painting at the Canterbury College School of Art before becoming an actress with the Allan Wilkie company touring New Zealand. From 1928 onward she divided her time between living in the United Kingdom and in her native New Zealand. She was made a Dame Commander of the British Empire in 1966.
Internationally she is best known for her 32 detective novels published between 1934 and 1982. Along with Agatha Christie, Margery Allingham and Dorothy L. Sayers, she was classed as one of the four original "Queens of Crime"—female British crime writers who dominated the crime fiction genre in the Golden Age of the 1920s and 1930s.
All her novels feature British CID detective Roderick Alleyn. Several novels feature Marsh's other loves, the theatre and painting. A number are set around theatrical productions (Enter a Murderer, Vintage Murder, Overture to Death, Opening Night, Death at the Dolphin, and Light Thickens), and two others about actors off stage (Final Curtain and False Scent). Her short story I Can Find My Way Out is also set around a theatrical production and is the earlier "Jupiter case" referred to in Opening Night. Alleyn marries a painter, Agatha Troy, whom he meets during an investigation (Artists in Crime), and who features in several later novels.
Most of the novels are set in England, but four are set in New Zealand, with Alleyn either on secondment to the New Zealand police (Vintage Murder, Colour Scheme, and Died in the Wool), or on holiday (Photo Finish); Surfeit of Lampreys begins in New Zealand but culminates in London.
Marsh's first love, however, was the theatre, and in New Zealand she is remembered more for her theatrical endeavours than her detective fiction. In 1942 she produced a modern-dress Hamlet for the Canterbury University College Drama Society (now UCDS), the first of many Shakespearean productions with the society until 1969. In 1944, Hamlet and a production of Othello toured a theatre-starved New Zealand to rapturous acclaim. In 1949, assisted by entrepreneur Dan O'Connor, her student players toured Australia with a new version of Othello and Pirandello's Six Characters in Search of an Author. In the 1950s she was involved with the New Zealand Players, a relatively short-lived attempt at a national professional touring repertory company.
She lived long enough to see New Zealand with a viable professional theatre industry with realistic Arts Council support, with many of her protégés to the forefront. The 430-seat Ngaio Marsh Theatre at the University of Canterbury is named in her honour.
She never married or had children. Ngaio Marsh published a lyrical but not very revealing autobiography, Black Beech & Honeydew (Collins) in 1965. British author and publisher Margaret Lewis wrote an authorized biography, Ngaio Marsh, A Life (Chatto and Windus, ISBN 0-908912-06-4) in 1991.
Collected in the book Death on the Air and Other Stories, first published in Great Britain by HarperCollinsPublishers in 1995:
Roderick Alleyn Stories:
Other Stories:
The book also includes two "biographical" essays written by Ngaio Marsh: Roderick Alleyn and Portrait of Troy
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